捷克斯洛伐克60年代新浪潮電影二十五面體相關(guān)評論正在裝載中...

捷克斯洛伐克60年代新浪潮電影二十五面體（別名：jiekesiluofake60niandaixinlangchaodianyingershiwumianti 捷克斯洛伐克60年代新浪潮電影二十五面「睇」）由馬丁·舒利克主持執(zhí)導(dǎo),是一部扣人心弦的記錄片。
《捷克斯洛伐克60年代新浪潮電影二十五面體》是一部深具實驗性和先鋒性的作品，它通過獨特的敘事手法和非線性時間結(jié)構(gòu)，探討了個人與社會、現(xiàn)實與夢境之間的界限。影片中，演員們以各自獨特的方式演繹角色，展現(xiàn)了60年代社會變革背景下人們內(nèi)心的掙扎與探索。豆瓣內(nèi)容:　　The 2-part feature-length documentary "25 ze ?edesátych aneb ?eskoslovenská nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.　　The documentary is a follow-up on the biographical TV series "Zlatá ?edesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze ?edesátych aneb ?eskoslovenská nová vlna" wants to commemorate.　　Part 1 comments on:　　■"Slnko v sieti" ("The Sun in a Net," 1962) by ?tefan Uher　　■"Konkurs" ("Audition," 1963) by Milo? Forman　　■"K?ik" ("The Cry," 1963) by Jaromil Jire?　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Jurá?ek & Jan Schmidt　　■"Ka?dy den odvahu" ("Courage for Every Day," 1964) by Evald Schorm　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer　　■"A? ?ije republika" ("Long Live the Republic," 1965) by Karel Kachyňa　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos　　■"Romance pro k?ídlovku" ("Romance for Bugle," 1966) by Otakar Vávra　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová　　■"Ost?e sledované vlaky" ("Closely Watched Trains," 1966) by Ji?í Menzel　　Part 2 comments on:　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko　　■"Stud" ("Shame," 1967) by Ladislav Helge　　■"Svatba jako ?emen" ("A Hard and Fast Marriage," 1967) by Ji?í Krej?ík　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Gre?ner　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by Franti?ek Vlá?il　　■"Sp?ízněni volbou" ("Elective Affinities," 1968) by Karel Vachek　　■"Spalova? mrtvol" ("The Cremator," 1968) by Juraj Herz　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová　　■"Pas?ák" ("The Decoy," 1968) by Hynek Bo?an　　■"P?ípad pro za?ínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Jurá?ek　　■"322" ("322," 1969) by Du?an Hanák　　■"Slávnos? v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta　　■"V?ichni dob?í rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasny斯特凡·烏赫爾飾演的角色，在影片中說道：“在這個世界里，我們都是孤獨的旅行者，每個人都在尋找自己的道路。”米洛斯·福爾曼所扮演的角色則這樣感嘆：“我渴望理解這個世界，卻只能通過破碎的鏡片看到模糊的輪廓。”而導(dǎo)演本人，Jaromil Jire?，通過旁白向觀眾透露：“電影是時間的容器，它讓我們在不同的瞬間之間跳躍，體驗多重現(xiàn)實的交錯。”在這部充滿哲思的電影中，每個演員都以自己獨特的表演風(fēng)格，為觀眾呈現(xiàn)了一個復(fù)雜多維的世界，讓人們對自我、他人以及存在的意義有了更深的思考。捷克斯洛伐克60年代新浪潮電影二十五面體更多精彩圣物秘聞錄美麗中國愛因斯坦的內(nèi)心世界英國新聞之花槍殺案米奇的故事地球2007MH370：消失的航班空中浩劫 第十三季傲椒的湘菜第三季貝爾蒂·格雷戈里：與動物零距離