四重奏相關評論正在裝載中...

四重奏（別名：sizhongzou ）由詹姆斯·伊沃里主持執導,是一部扣人心弦的愛情片。
《四重奏》是一部法國電影，它以一種詩意的方式探討了愛情、欲望和自我發現的主題。影片通過四個角色的故事交織在一起，展現了一幅現代都市情感生活的畫卷。豆瓣內容:　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.在本片中，我們有四位主要演員：阿蘭·貝茨、瑪吉·史密斯、伊莎貝爾·阿佳妮和安東尼·希金斯。他們分別飾演的角色，共同構成了這個復雜而細膩的情感世界。阿蘭·貝茨飾演的角色，他的臺詞是：“愛情就像是在夜空中尋找北極星，你永遠不知道它在哪里，但你知道它一定存在。”瑪吉·史密斯飾演的角色，她的話語是：“婚姻是一場漫長的旅行，有時候你會迷失方向，但重要的是記得為什么出發。”伊莎貝爾·阿佳妮飾演的角色，她的獨白是：“每個人心中都有一座未完成的城堡，等待著被愛填滿。”安東尼·希金斯飾演的角色，則以一種深沉的聲音說道：“時間是最無情的畫家，它會將一切美麗的東西慢慢侵蝕。”這四位演員通過他們的表演，深刻地揭示了《四重奏》中的情感復雜性與人性深度，讓觀眾在享受藝術美感的同時，也對生命與愛情有了更深層次的思考。四重奏更多精彩沙漏2024不可思議的愛情速看版倩女幽魂196012日芳芳喜歡你2017逆光飛翔歌劇魅影吳哥的微笑神奇